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Wow, I also throw in Tim Roth. What British hotness today ...

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I've suffered and I have laughed equally in today's chapter of The Office ... Viva Creed, I swear XDDDDD

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Cal hat is entirely surrounded by the FBI but derepente be left alone to be attacked by the bad or characters disappear without explanation. One thing that particularly irritated me is the habit of taking a character from one chapter and make him stay for three or four. I'm sure they think they are super original and super ready for it, but I like a big turd. Does not work because the audience likes him if there is no time to really fond, and when you start to get used to it out of the way in the most absurd possible. And if you dislike rather than get on your nerves a single episode pissed off you over until you catch them real sick. For example, the Wallowski this. Okay, I admit that ever from Michelinto give too many turns to it when you have forgotten two other officers dying in a hospital bed. But if at least the evolution of the OTP was very consistent ... but sorry, was not sustainable. It is true that the history of changing the order of the chapters in the second are a bit limited, but I've seen them in the correct order and not by these. It works rather by flashazos. Now, now, now I put someone, now I take it off ... I think, and fixed what I will say that this is best done even in House. Yes OK, so the House was also a crap because then did not come to anything, but evolution itself and increasing the UST was better made. What else sucks about the House, because to screw up the best finalrogresión logic. I find it really weird.

Well, so far the negative. Positive things: otp intrigues me. I do not do it but life has me interested, which is always nice, UST keeps you young. OTP is a ff and also asks for porn. There OTPs that exude sexuality and some that are very cute and want a lot but they do not see the point kinky. This certainly falls into the first category. I have enough curiosity for reading a ff, really.
The actors also have dropped me pretty well and have good vibes, which always helps.

And I have to admit that you bear right on one thing, Tim Roth is strangely attractive. I do not know exactly why that is, I'm just a little, yes. Jamore would have said, I guess it's because it makes wise guy. Has merit because my characters a little histrionic I usually get very nervous, but I recognize that in the second season is more eccentric than it seems much funnier and more attractive, God only knows why. Not to mention the review body that it makes every time Gillian turns, which is hot hot hot
xDDDDDDDDDD

One of the things I like about the series is Cal's relationship with his daughter, I I usually seem cute and entertaining enough. I think the series and I was worth it for this and especially for the reaction above Cal in Darkness and Light after kissing Gillian. Those 3 seconds of Tim Roth have left me totally mesmerized, I swear, I've seen Quincemil times.


Oh, and I think now is the magic point where I've seen too many series, because I swear I knew them all, but ALL, secondary in this series ...

Tender Breasts And Tender Gums How to write novels without money: Characters

Originally published at

Anima Vel. Puede comment here or There .

Previously: The Argument .

IMHO, the characters are even more important than the argument. With a single character will opt for the sympathy and interest the reader, the story can be wildly wrong, the reader will read it and even, you might like.

A brilliant story, with characters that are not attractive ... not worth anything, can be a good and ingenious argument, but the characters loses shine.

So I wonder how I can make good characters?

My personal response anddefined easily. In contrast, the above kind person has an intrinsic defect, because it is part of his character is something built into him.

intrinsic defects seem more interesting because they give a lot of chicha time to evolve the character into the story.

Background The background for a character is a powerful and terrible at the same time, it is necessary, but you have no idea what to do with it. Basically the background enriches the character, where it comes from, what it does, what their hobbies, who your family, friends, studies, etc. There's a world of possibilities to create a character with a story aliveefore and after the simple argument of our book, to do visual and take their own life in our heads. But as writers, how do we achieve? Seeing as mentioned in the entry on the grounds

and the tendency to suddenly and fast, we can not introduce a character and devote pages to tell his life is a drag. Anne Mini

in his blog mentioned a type of storytelling, called "Telling Hollywood" that is precisely in such films as a character has a monologue, or dialogue with another, summarizing the background of history, or life. The problem is that dialogue is absurd because people do not naturally speak of matters that you know how if they were new, anddefuse bombs, what grace is that?. If we do that for, we risk breaking the thrill to have a tense scene where the hero is dedicated to remembering his days as a mining engineering student (I taught myself to defuse bombs, mind you, just leave the dielectric in short even when appropriate), nobody cares what he studied, there is a bomb! If you say after readers may think it is a last-minute excuse, even a Deus Ex Machina

.

What then?

Pray that our readers are not techy, for example.

O release information slowly, like someone does not like things. Make a small flashback to some interested actionnte of the character's life to tell us more about how it was (and, incidentally, what they studied, old friends, etc.). A dialogue where they drop hints and allusions. I suppose those can be good resources, let me know if you know more

I think I have elongated a little input, I wanted to have put some techniques I've seen out there to make characters, but I'll leave for another day. There is much to write about how to make a good character and I have the impression that this post is not even start with the tips of the hair.

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Very very well the king's speech, I liked it. In fact, I think I liked it better than The Social Network and notice what I say. There is great merit to this story is entertaining and even funny. The actors, except Timothy Spall as Churchill, are the shit, especially Colin Firth (maybe this year will give the Oscar and finally) and Geoffrey Rush. Instead, see Helena Bonham Carter make normal person has puzzled me a lot, especially considering he was surrounded by cast of Harry Potter and Bellatrix had flashazos continuously.

And I can not of created that has not recognized Jennifer Ehle. Yo, I've seen 15000 times the BBC miniseries, quand I have a woman on a pedestal to nail Elizabeth Bennet, * I * I have not known when a blonde! I am deeply ashamed, do not deserve to be called a fan.

Now of course I'm going to do is find out what part of the story is true and what part is exaggerated. Tomorrow will be the person most knowledgeable of the abdication of Edward VIII of the world. I'll tell you.

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I do not know if drugs or will I have a silly day, but today I found it funny in interneeee:

Salvage Scion Tc For Sale How to write novels without Money: The Argument

Originally published at

Anima Vel. Puede comment here or There .

As I mentioned before, between, I have no money / time to courses (or on-line and fueri-line) and other cunt that exist for aspiring writers, I am taking forward this to learn to write with I find free resources on the web, and I had thought of making a series of posts commenting on what I find and giving my opinion. I also love that people give me their own resources and points of view, I know there are several people around here who are interested in the subject. The Argument

What I was taught in school aboutthe construction of stories is that they have " Presentation middle and end." Reading a few pages I found that changing the terms Introduction by Introduction by Climax and Denouement. I think it's interesting change and I try to reason why:

Presentation / Exhibition vs. Introduction

Anyone who has read a fanfic (or write very amateur) in your life know that one of the most common problems novice writers is that they start getting tons of stories about the characters and their lives not lead nowhere (the Mary Sues and twenty hair colors must be described every nuance with meticulous detan aspect that I have to work. Nudo

I have no alternative to the knot, is well defined as it is: a mess of his face.

In one of those links as I have before

, Jim Butcher says something like the knot is the worst because that is where the writer has complete freedom in the world to develop the story and, therefore, to many things wrong.

Tell me I'm not the only one with a story with a beginning and an end well thought out, has had to stop halfway because the knot has been partying and do not know how to get back because he does not remember where you parked the car and not have change for a taxi.

There are plenty of alternatives SCHEDULEDFicar a knot, let down a few, perhaps discuss at length in another entry.

Outcome-Climax

Outcome

Although the word makes a good reference to the previous knot, I think Climax is closer to what we actually get. Every novel is "manipulating" the reader's emotions, since he "hooked" in the Introduction, a distraction in the Node (the first part of The Neverending Story is a parable about the craft of writing, yes or yes) and bring their emotions to extremes in the end.

why I like "climax", refers more to feelings than an "outcome" or "resolution" (my math books are "resolutions" are not interchangeableesantes ).

So you have to save the best for last and do not wrap when finished. Resources

Eston are some of the best (or most popular, I guess everyone will have their own) methods to build a solid argument before starting to write. The truth is I've tried to do some several times, but the itch to "write write write" is stronger and just sitting at the keyboard and moving of everything I had planned. Then come the reviews, inconsistencies and tears.

The Butcher

of which made a

scheme here.

starts with a "skeleton", the skeletonfun part.

The 15 points put

This girl in the
• NaNoWriMo forum, part of the writer Claudia Suzanne . It's a way to quickly make the skeleton of a novel (in 15 ', it is assumed * lol *). Basically marks on a sheet of paper 15 lines, write the first start in a row, then skip to the last and write the final, then spend the second with another line, then the second last and so on until alternates getting to the nub.
Personally, there are many things I have to work to improve my arguments, on the bright side, I'm not that curl like blinds at first, but maybe I'm not too hbil by introducing interesting enough. More often than not, I know where to go but not how, so I block, so try to plan the story at first, even just above, it is good practice for me.

And that's what gets me through today about creating a general argument, another day more and more, just mess with the characters the next time, what do you think?

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So ... that ... because I said I saw a movie and write fic ... the layout can expect ... : D

So. .. Adios ... Pd = 3

. Today's is about ... Chiquita is the world! And joer ... be going up the bussiness ... to see if we put something original soon to stop feeling bad ... : \\